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PRESS & MEDIA INFORMATIO= N |
For Immediate Release &nbs=
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p; Contact: Roger Johansen – Co-owner=
Issued March 17, 2008 &=
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p; 201.865-1000
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style=3D'font-size:7.0pt;mso-bidi-font-size:10.0pt;mso-fareast-font-family:=
"MS Mincho"'>rogerjohansen@mac.com
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p; Mel
Lambert – Media&Marketing
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nbsp; 818.558-3924
| mel.lambert@earthlink.net
Bob Bert from Int=
’l
Shades selects Tangerine
Mastering for new 12-song “Luv & Terror”
CD project, plus vinyl and MP3 to follow
“I love the= sound on the project … Tangerine Mastering is a great place to work.” – co-producer Bob Bert
“I chose to work at Tangerine because I have known
[co-owners] Roger Johansen and Gene Holder for many years, and like the way
they work.” Bert confides. “The new album for my four-piece ban=
d,
Int’l Shades, is our first on Gifted Children label. It comprises 12
songs with singer/synth player Alexa Wilding, bassist Tim Foljahn, ex-Live
Skull guitarist Mark C. and myself on drums; Mark and I co-produced the
project, which we recorded at local Brooklyn and
“I love the sound that Andreas [Meyer] produced on = the project. It has the tight, punchy sound we need – he gave it a greater body! Tangerine Mastering is a great place to work.”
“Having loaded the 24/96 tracks into a Digidesign P= roTools rig I replayed them through our outboard Meitner high-precision D-to-A converters,” Meyer says. “That way I could re-equalize and re-compress the material in the analog domain using our collection of vinta= ge Neve, SPL, Pultec and Cinema equalizers plus Universal Audio dynamics units= , and finally through our Abbey Road EMI Mastering Chain. Although the origin= al tracks sounded great, mastering involves that essential magic that makes th= em sound consistent and adds subtle punch and enhances the overall level. The results, I think, are outstanding!”
Owned by Roger J=
ohansen
and Gene Holder, bass player f=
or The
db's, Tangerine Mastering was designed by famed acoustician John Storyk of =
the
Walters-Storyk Design Group. The working environment combines close proximi=
ty
to midtown
Lead mastering engineer at the new facility is Andreas K. Meyer, who has worked =
with
such renowned artists as Hilary Hahn, Joshua Bell, Yo Yo Ma, Essa Pekka
Salonen, Arcadi Volodos, The Los Angeles Philharmonic, The New York
Philharmonic and The Boys Choir of Harlem. His credits as producer/engineer=
and
composer span hundreds of CD releases. Meyer has received numerous Grammy®
Awards, including Mastering Engineer in 2000 for Best Historical Album: Louis Armstrong - The Complete Hot Fi=
ve
& Hot Seven Recording.
Having joined experimental rock band Sonic Youth during t=
he
early- to mid-Eighties, Bob Bert=
b>
played on such releases as Confusio=
n Is
Sex, Sonic Death and Bad Moon Rising. He then served as
percussionist for Pussy Galore, as well as their splinter group Boss Hog. In
the early-Nineties, he drummed for the Chrome Cranks and then joined forces
with guitarist Kid Congo, guitarist Jack Martin, bassist/vocalist Jerry Teel
and organist Barry London in the
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=
From left-to-right: =
Int’l
Shades guitarist/co-producer Mark C.; Tangerine Mastering |
Note to magazin= e editors and writers: High-resolution copies of this image in TIFF/JPEG formats are available upon request
“We have created an acoustically precise room at Tangerine Mastering that offers a creative, comfortable modern atmosphere,” confides facility co-owner Johansen. “We have also brought together the best of vintage and modern equipment, and mastering engineers that offer a broad depth of musical experience.”
All trademarks and registered trademarks included in= this press release are the property of their respective trademark holders. All rights reserved.
- COPY ENDS -
Bob Bert selects Tangerine Mastering for new Int’l Shades CD project - page 2
PR.TAN002.03-08 – Page PAGE 2=
of 2=
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